Conversation with Lou
Conversation with Lou (Alongside) is a vivid collection of Tome Hsienhua Loulin’s writings that reflect on issues directly linked to our daily lives and rarely being examined seriously. Hsienhua is currently based in a southern Hubei city named Qianjiang and sometimes stays in Wuhan, another city in Hubei.
New Studies and Theories
Focusing on the world of socially, culturally, and economically marginalized groups, New Studies and Theories is a collection recoding our society around people overlooked at large.
Overall, one may conclude, from the popularity in China of Peter Hessler’s books even in the translated versions—mostly sold in the category of travel writing—that there is such a thing universally existed as a desire for critical reflections of oneself from the other side.
Leafing through the pages of certain geography magazines full of picturesque attractions, I saw, in pictures, Tianshan mountain, Qilian mountains, and the Taklamakan Desert in the northwestern part of China.
With Mydans’ photography, this framed painfulness becomes eternal. One even without prior knowledge about photojournalism would know how hard and heart-rendering it is to experience war, indeed, any kind of war, whether firsthand or second.
by Tome Loulin Above me spreads the hot, blue mid-day sky,Far down the hillside lies the sleeping lakeLazily reflecting back the sun,And scarcely ruffled by the little breezeWhich wanders idly through the nodding ferns.The blue crest of the distant mountain, topsThe green crest of the hill on which I sit;And it is summer, glorious, deep-toned … Continue reading “Another Moon”
I saw people walking on the street and though it is a small city, I feel being small is also like being on the way to our very origin.
Standing before a souvenir store in the palace museum, though the postcards depicting palaces Chinese imperial members lived in a stately air were still sold hanging on the stock stall, I was no longer interested in buying them, instead, I had watched those cards for a while and then gone.
Lou Hsienhua’s Writing
- Film as Poetry: the Poetic Sensibilities of Paolo SorrentinoSince when have filmgoers started to expect something truly artistic rather than adopted for popular interests to watch? Perhaps not long after the ongoing artistic revolution that merits personal sensibilities rather than serving a bigger goal in today’s cinematic world around the early 2000s.
- Filling Emptiness: On Reading Peter HesslerOverall, one may conclude, from the popularity in China of Peter Hessler’s books even in the translated versions—mostly sold in the category of travel writing—that there is such a thing universally existed as a desire for critical reflections of oneself from the other side.
- Letter from Wuhan: Life After Twenty, Some Words to SayIf, also, I say I started to care even less about news headlines, outraging geopolitical comments, editorials, apparent misinformation of almost everything crucial for our social stability, a lot of disbelief may come around because, as a man, no one would appear able to resist the attraction of politics, perhaps the source of all powers. But, indeed, seeing news outlets propagating that some country or group of people exposes a serious threat to the security of this and that isn’t really helpful to anyone sitting before that screen.
- Traveling to Faraway Land, then, Farewell to ItLeafing through the pages of certain geography magazines full of picturesque attractions, I saw, in pictures, Tianshan mountain, Qilian mountains, and the Taklamakan Desert in the northwestern part of China.
- Soul-searching Reflections on Culture, Resistance, and Our VoiceWith Mydans’ photography, this framed painfulness becomes eternal. One even without prior knowledge about photojournalism would know how hard and heart-rendering it is to experience war, indeed, any kind of war, whether firsthand or second.
- Extraordinary, Critical SeeingsThere are many different ways of seeing and how others see us, as Lou Hsienhua puts it, impacts the way we deal with the world as we try hard to make sure there is no distorted image about us drawn by others. When coming to the problem of self-imagining, the way we see ourselves, Hsienhua thinks, should never be dictated by anyone else but us. Resistant youths nowadays who try to claim their independence may declare that they are not what you see, meaning what you see about them is inaccurate, distorted, and, most importantly, subjective. Seeing, overall, is a complicated matter.
- This Tranquility, Long MissedWith years passing unnoticed, remembering what made us today becomes a necessity. As this unprecedented change that impacts the way we live ripples across almost every corner of the world, to live has become, it occurred, a specific way of realizing and remembering what we cannot live without.
- Writing As RememberingIt is with the help of written language that our thoughts and ideas could be more widely disseminated, known, understood, critically examined or misinterpreted in the public so we won’t easily surrender our past to time.
- Walking Along the Way Our Sun GoesThe sparrows that sometimes came to stay before my window were singing. Outside of the window, the trees whose names I was unable to utter were shining under the sun.
- Radical Authenticity: Looking at Abdellatif Kechiche’s FilmsThis authentic way of telling and showing something that is too hard to be told and presented properly brought a sharper contrast between the romantic imagination and brutal everydayness in actuality, as the story presented by the film is already too tough to experience, let alone review it.